Abstract
This essay investigates the prevalence of painters, as well as painting techniques and concerns, in Australian fiction from colonial to modern times. Why this should be so is explored, while painting, it is argued, has long enjoyed a special prominence in settler diaries and fiction, been embraced as revealing cognate dilemmas and aspirations shared by authors, and singled out, in short, as the chosen Sister Art of white antipodean writing
Journal
SIMPLEGADI
Publication Name
Le Simplegadi
Volume
23
ISBN/ISSN
1824-5226
Edition
N/A
Issue
N/A
Pages Count
14
Location
N/A
Publisher
Universita degli Studi di Udine
Publisher Url
N/A
Publisher Location
N/A
Publish Date
N/A
Url
N/A
Date
N/A
EISSN
N/A
DOI
10.17456/SIMPLE-210